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> — Tanguy Morize – tanguy.morize@gmail.com You will find your soul where your heart is Hmmm…interesting idea but the sequencing quality isn’t very good. Besides that I can think of other sequencing tools that allow you to control the sequencing in some way (usually with sub oscs or whatever). Maybe it’s time for me to take a look at this as well. Gebroeker – hmmm…interesting idea but the sequencing quality isn’t very good. Besides that I can think of other sequencing tools that allow you to control the sequencing in some way (usually with sub oscs or whatever). Maybe it’s time for me to take a look at this as well. What was it you didn’t like? You have the capability to sequence this with your sequencers (like Eddan has made a nice example with the Actra EQ).1. Field of the Invention The present invention relates to a method for producing a molded article of metal, in particular a molded article of metal having a semi-spherical hollow portion. 2. Description of the Prior Art When an engine is produced by means of casting, it is common practice to provide it with a crankcase by means of casting and then to provide a water jacket around the crankcase in order to improve its heat efficiency. However, in the case of casting, a shrinkage difference between a molten metal and a molten alloy will occur due to the difference of its thermal expansion coefficient, resulting in the generation of cracks in the molded article of metal. Furthermore, the shrinkage difference between the molten metal and the molten alloy will affect the surface of the cast article. For this reason, it is necessary to conduct an additional process of grinding or trimming of a metal surface to obtain a required surface figure of the cast article. Meanwhile, a conventional method for producing a molded article of metal having a hollow portion uses a mold provided with a split core. This method is disclosed, for example, in Japanese Laid-Open Patent Publication No. H03-185440. According to this method, a molten metal is injected into a cavity of the mold and a portion of the molten metal solidifies while staying in the cavity, whereby the molten metal is solidified so as to form a

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The square1 sequencer will generate complex sequences of tones by using the sum of three square-wave low frequency oscillators to frequency-modulate two oscillators. The oscillators output one of four waves (sine, tri, square and saw) and may be frequency adjusted relative to each other. The wave tables are not band-limited so aliasing will result for sufficiently high frequencies. There is also an overall three-stage amplitude envelope. Parameters: Center: [0 – 10000 Hz, default 440] – the unmodulated carrier frequency Detune: [0.25 – 4.00, default 1.01] – the frequency of oscillator 2 relative to oscillator 1 Wave: [0=sine, 1=tri (default), 2=square, 3=saw]. Wave shape for both oscillators Attack: [0 – 10 seconds, default 1] Sustain: [0 – 10 seconds, default 1] Decay: [0 – 10 seconds, default 1] f1: Frequency of LFO 1 a1: Amplitude of LFO 1 – LFO amplitudes are calibrated in Hz indicating the corresponding frequency shift in the audio oscillators. f2: Frequency of LFO 2 a2: Amplitude of LFO 2 f3: Frequency of LFO 3 a3: Amplitude of LFO 3 T1: Pitch Envelope Modifier: [0 – 100, default 20] Attack: [0 – 10 seconds, default 1] Sustain: [0 – 10 seconds, default 1] Decay: [0 – 10 seconds, default 1] T2: Ramp time in seconds Modifier: [0 – 100, default 40] Attack: [0 – 10 seconds, default 1] Sustain: [0 – 10 seconds, default 1] Decay: [0 – 10 seconds, default 1] T3: Ramp time in seconds Modifier: [0 – 100, default 20] Attack: [0 – 10 seconds, default 1] Sustain: [0 – 10 seconds, default 1] Decay: [0 – 10 seconds, default 1] T4: Pitch Envelope Modifier: [0 – 100, default 10] Attack: [0 – 10 seconds, default 1] Sustain: [0 – 10 seconds, default 1] Decay: [0 – a86638bb04

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This sequencer can generate tones and complex waveforms such as saw waves and triangular waves. The sum of three square-wave low frequency oscillators (4 – I & Q) is frequency modulated, and the result is filtered in the low-pass filter section. The filter frequency ranges from 3 – 2000 Hz. The output may be tuned in steps of 0.01, 0.1, 0.25, 1, 2, 4, 8, or 10 Hz relative to the center frequency, as well as steps of 30, 40, 50, 60, 70, 80, 90, or 100 ms. This sequencer has many control parameters: Center – carrier frequency (Hz) Detune – modulator frequency relative to the center frequency (Hz) Wave – wave shape (default is sine) Attack – time for the amplitude envelope to become full (ms) Sustain – time for the amplitude envelope to become full (ms) Decay – time for the amplitude envelope to return to 0 (ms) LFO 1 – frequency of LFO 1 (Hz) LFO 2 – frequency of LFO 2 (Hz) LFO 3 – frequency of LFO 3 (Hz) LFO 1 Ampl – amplitude of LFO 1 (default 0) LFO 2 Ampl – amplitude of LFO 2 (default 0) LFO 3 Ampl – amplitude of LFO 3 (default 0) Notes: Note the oscillators and the carrier are not band-limited, so if you are generating high frequency tones (above the range of 0 – 4000 Hz) you will probably get aliasing. The output signal has a maximum amplitude of +/-40 V. Any outputs greater than +/-20 V will be clipped to +/-20 V. Levels, the output drive and saturation will be controlled by each oscillator’s amplitude. S/PDIF will be used for connectivity to the Sequencer’s output on the “S/PDIF” jack, and to the “Main” jack via the “SEQUENCER” cable. This is the same as using the “SEQUENCER” jack, but it will also connect to the “Main” jack via the “S/PDIF” jack on the “Sequencer”. This will cause the sequencer’s output to be set to the “Main” jack, and any

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SQ1 is a generator that contains three square-wave oscillators. The frequencies of the oscillators are set by several parameters and their outputs are controlled by one amplitude envelope. The features of the sequencer are: An internal three stage envelope A sequencer grid that may be used to control the envelope A timer that can be used to change the values of parameters after each cycle A shift register which can be used to alter the current values of parameters The square waves generated by the sequencer are not band-limited so aliasing can occur for sufficiently high frequencies. Parameters: Center: [0 – 10000 Hz, default 440] – the unmodulated carrier frequency Detune: [0.25 – 4.00, default 1.01] – the frequency of oscillator 2 relative to oscillator 1 Wave: [0=sine, 1=tri (default), 2=square, 3=saw]. Wave shape for both oscillators Attack: [0 – 10 seconds, default 1] Sustain: [0 – 10 seconds, default 1] Decay: [0 – 10 seconds, default 1] f1: Frequency of LFO 1 a1: Amplitude of LFO 1 f2: Frequency of LFO 2 a2: Amplitude of LFO 2 f3: Frequency of LFO 3 a3: Amplitude of LFO 3 A3_CIN: Differential input of counter CIN3 A3_COUT: Differential output of counter COUT3 B0: Offset of input buffer C0: Offset of offset register D0: Offset of delay register IN0: Differential input of counter CIN0 OUT0: Differential output of counter COUT0 IN1: Differential input of counter CIN1 OUT1: Differential output of counter COUT1 A0: Offset of input buffer A1: Offset of offset register B1: Offset of delay register D1: Offset of delay register IN2: Differential input of counter CIN2 OUT2: Differential output of counter COUT2 IN3: Differential input of counter CIN3 OUT3: Differential output of counter COUT3 CIN3: Count input of counter CIN3 COUT3: Counter output of counter COUT3 A2: Offset of input buffer A3: Offset of offset register B2: Offset of delay register D2: Offset of delay register IN4: Differential input of counter CIN4 OUT4: Differential output

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