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As such, the Alberta literary community is better represented in the small print than it is in the front pages, Brennan says. Its a bit like the National Hockey League. Its only when you look at the play-by-play that you realize theres a lot of bumbling going on, he says. Word of mouth is what gets most books. Thats how an Albertan writer is discovered and established. Brian Brennan (right) is a former journalist with the Calgary Herald and is now a book-writer. As a close friend of its founder Mel Hurtig, he sees a publishing scene that has grown and changed a lot since the 1960s. He says that my books are not just published, but published with care because we have such a good community.

However, Albertans are now also increasingly searching out Canadian and English editions of books, since it is a lot easier, for example, to find the English version of Lesle Lewis, former Edmonton Herald columnist and book reviewer who now lives in British Columbia, than an American edition. At the same time, an English novel can have an edge of discovery that is not as readily available to writers.

Heres one way this happens, Brennan says. Every person who gets a writer a publishing contract or option is really an editor. I have so many phone calls from people now — many of whom I have not seen for a decade — who tell me about new books they have read or want to read. Ive never done a stock catalogue of titles, but when a newer publisher has something available, I seek it out and lend it to an author I have interested in. If that writer wants to go on with the project, hes welcome to come back to me and work on it as my Alberta editor and writer-in-residence. I cant take on all the books myself, so I actively seek out writers and give them the opportunity to be published, Brennan says. Its a more modern way of looking at the publishing world than the big company publishing of our youth. The small regional publishing community has moved along a lot faster than my generation and younger.




As such, the Alberta literary community is better represented in the small print than it is in the front pages, Brennan says. Its a bit like the National Hockey League. Its only when you look at the play-by-play that you realize theres a lot of bumbling going on, he says. Word of mouth is what gets most books. Thats how an Albertan writer is discovered and established. Brian Brennan (right) is a former journalist with the Calgary Herald and is now a book-writer. As a close friend of its founder Mel Hurtig, he sees a publishing scene that has grown and changed a lot since the 1960s. He says that my books are not just published, but published with care because we have such a good community. However, Albertans are now also increasingly searching out Canadian and English editions of books, since it is a lot easier, for example, to find the English version of Lesle Lewis, former Edmonton Herald columnist and book reviewer who now lives in British Columbia, than an American edition. At the same time, an English novel can have an edge of discovery that is not as readily available to writers. Heres one way this happens, Brennan says. Every person who gets a writer a publishing contract or option is really an editor. I have so many phone calls from people now — many of whom I have not seen for a decade — who tell me about new books they have read or want to read. Ive never done a stock catalogue of titles, but when a newer publisher has something available, I seek it out and lend it to an author I have interested in. If that writer wants to go on with the project, hes welcome to come back to me and work on it as my Alberta editor and writer-in-residence. I cant take on all the books myself, so I actively seek out writers and give them the opportunity to be published, Brennan says. Its a more modern way of looking at the publishing world than the big company publishing of our youth. The small regional publishing community has moved along a lot faster than my generation and younger. 5ec8ef588b


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