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* Though Photoshop’s tools are frequently known to be powerful, they are also resource-intensive. Compared to other image editing and manipulation programs, Photoshop’s file sizes are larger (therefore requiring more hard drive space). Be prepared to spend time and money to store your images. * Photoshop’s options are extensive, and can overwhelm new users. * Photoshop creates raster images that take up a lot of disk space. I recommend that beginners use smaller images, making sure to convert them to a file type that takes up less hard drive space. The following sections outline the basic user interface. I’ll take you step by step through the main features. ## The Image Window The Image window (Figure 2-3) is your main screen on which you select and manipulate various image elements. After you open an image file, you may see the Photoshop Image window (File⇒Open). The file you’ve opened is automatically in the Photo Editing space where you can manipulate it. Figure 2-3: The Image window is the main tool for creating and altering images. After you open an image, there are a number of buttons on the image, shown in Figure 2-4. These buttons allow you to see and work with certain layers of the image. Figure 2-4: The buttons on the Image window allow you to modify the attributes of the image. Here’s a quick rundown of the buttons and their purpose: * **Preview:** Displays a preview of the image with all the layers on the image, so you can see what you’re about to change. * **Image:** The layer that is the focus of the image; you can save, copy, move, or delete the image. * **Layer:** One or more layers that modify the image. They can be edited and saved independently of the image. * **Layer Mask:** An optional layer that lets you see the parts of an image that are covered by a mask — layers without images. * **Undo:** Allows you to reverse or undo changes that you’ve made to the image. * **Layer List:** Also called the Layers panel, this window enables you to reorganize and manage the layers. You can add, delete, rename, move, and copy layers. You can drag the layers to rearrange them in the order that you want them to appear when you open your



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A tutorial on how to use this image editing tool can be found on this page, specifically the how to export and convert. The functions provided by this product include: Raster and Vector editing tools Adjustments like Curves, Levels, White Balance and others Copy / Paste / Cut / Pathe Color Changes Blend Modes and Layers Smoothing and Filters HDR and denoise The software also includes an Imagemagick and GD library. 1. Create a New Project You can start by importing a photo or a Photoshop document from a folder you have used. You can also open an image you have previously saved on your computer or an image you have copied from the internet. You can use it as your default image if you want. If you want to start a new project, you need to create a new folder, open Photoshop Elements, and choose Create New Project. Alternatively, you can always import a file that you have already downloaded and saved. 2. Basic Editing The default software can be used with a pen, in digital format, but for best results it will need to be adjusted in PS and then saved in the JPEG format. Follow these steps to modify an image using Photoshop Elements: Open the image you want to edit in Photoshop Elements. Adjust the image to your liking. Save the final image in the JPEG format. If you want to delete the image, press Delete. The image can be saved for printing, when you want to print it, or saved as an original, so you can use it later in the future. 3. Share Files Share your project on social media or send it to a friend to start editing their own images, if you want. A great tool for this is PS to PDF. It can convert any vector or raster image into the PDF format. For more information on how to do this follow the link. 4. Import Images If you want to import photos or pictures that you have saved on your computer, you can use the options in the left-hand column of the image table. Click Import from the first drop-down menu and select the directory and file you want to import. Click Open and open the imported image in the table on the right-hand side. 436c2ab822



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Policia investiga o caso de um jovem de 17 anos, de nacionalidade não identificada, que foi apreendido de surpresa por três policiais no dia 11 de julho, na Rua Pedro Varnier. Na tarde de 9 de julho, cinco pessoas encontram o corpo do jovem, da cidade de Barretos, no Sistema Garagem de Apoio (SGA), situada na Rua Victor Hugo da Costa, no bairro de Jardim Martins. O corpo de 17 anos foi encontrado por volta das 13h30, com uma parte dos braços cortados, de acordo com a corporação. Além disso, a testemunha recorda que os paramilitares disseram ao vídeo coletivo que tentaram uma “peça de metal” no corpo de um funcionário da SPPP. Nas imagens, entrevistado pelo Portal Verdes Mares, o grupo de paramilitares desfila por uma rua, que é gravada por um celular. O criminoso fugia numa motocicleta com placa de SPPP e uma parede, quando os policiais chegam e passam mais de um quilômetro sem ver ao menos um traficante. Um dos PMs adota atirar fotos para a câmera do celular e do vídeo, que fica aberto, enquanto a quadrilha segue o passo. Durante a perseguição, o policial que estava no traseiro da motocicleta recebeu um tiro. O corpo foi encontrado após uma perseguição de cerca de dez quilômetros. Os animais encontrados: um chacal de rua, um lagarto e um touro Móveis de jardim e pinos também são apreendidos no iníc



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Reeve Nichols Reeve Nichols (born 1952) is an American artist who creates public art installations. He has focused on the construction of artist studios in artist-owned residential housing (housing co-ops), student housing, experimental and transitional community housing, garden and café-type accommodations. His projects have included the Mill City Arts on the University of Oregon’s campuses in Eugene, Portland, and Ashland, Oregon, as well as in Minneapolis and Oakland, California. Work Nichols’ work has included residential galleries, public and private sculpture parks, town squares, commercial gallery spaces, and the public domain. He lives in Woodstock, Oregon. Public artworks Nichols was artistic director of the Art in Public Places Program at the Minnesota State Arts Board (1984-1989) where he helped establish the Office of Art in Public Places and the Commission on Public Art in Minneapolis. In 1989 he founded the Woodstock Park Village Renaissance Project in Woodstock, Oregon. His public artworks include the Piano Corridor in Minneapolis, the Atenwide Trail sculpture park in Portland, the Artist Housing Studio Space project in Minneapolis, the Project Arts on the Park in Portland, the Palace Arts Center in University of Oregon’s Portland campus, and the Mill City Arts on the University of Oregon’s Portland and Ashland campuses. He was project director of a collaboration with sculptor Alexander Calder called Floating Light I, also in Portland. The piece included 32 welded steel frame structures with electronic ballasts suspended between pylons. It was dismantled in 1994 after 2 years of installation. He worked with Brooklyn street artist and political activist Shepard Fairey as co-designer for his projects too, including the “Obey Giant” campaign for the 2004 presidential election. His public arts projects have been included in Artist Housing: The New Call for Alternative Housing in the United States, a book in New York’s Art in General Books and the Museum of Contemporary Art Chicago’s documenta IX catalog. Educator and curator Nichols began his career teaching studio art at Frederick Community College in Frederick, Maryland, where he became Director of the Art Department, and later taught at Minnesota State University, Mankato. He co-founded the Center for Artistic Excellence (1982) in Minneapolis and served as its director until 1986. He was founding president of the Minnesota Visual Artists Association (1986-1992). Nichols is an adjunct professor at Columbia College in Chicago, and teaches public art and



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