Raekwon Only Built For Cuban Linxzip _VERIFIED_




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Raekwon Only Built For Cuban Linxzip


And it began to grow on me. Artwork on top artwork on top artwork. From there, I started feigning an affront for hip-hop culture when it came to the visual side, proclaiming that the music was where it’s at. To me, music didn’t need props. But the bigger question is whether or not I was consciously trying to arrive at the conclusion that, “I’m a grownup now. Everything about this record is so adult.” In contrast, almost all of Only Built is fueled by a childish sense of wonder and wonderment at the scope of a talent as large as Wu-Tang. It’s a rancid piece of work and I think I know it and I think you know it. But it is easily ingested and then quickly vomited off. And I think that counts as a form of grown-up.

The 12th Floor Elevators were a vehicular-less monster and a proto-rock band from Texas in the early ’60s that personified garage-punk; they played on a local FM with their drummer’s dad in his pickup truck. But I grew up on the Austin scene, a scene that wasn’t about “groups” as it was about bands playing all over town, a scene that, often, me and my friends would infiltrate to soak up the shows. It was the Austin music scene that launched Hudlin into a musical career and it was a scene that pushed up the presence of in-your-face women in lyrics by making room for groups like the BoDeans. The scene was also full of weirdos. Like the out-there aesthetics of the Elms. The Elms is the first time that I can remember that a band’s sound wasn’t about adventurous guitars and clever rhythms but about guitars that were just guitars and drums that were percussion. It was our introduction to funk and soul, it was a rich soundtrack for a band that handled them…

…And it wasn’t only funk. It was a danceable and radical funk. It had a touch of psychedelia to it and, surprisingly, a hint of wah-wah, and that was about it. The opening riff on 1982’s O.K. Enough was simply a guitar played in a silky manner that echoed Hendrix and Cosimano had a harder edge to it.


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